Palette knives have been used in impasto painting since the 1800’s. Impasto is an Italian word meaning “dough’ or “mixture’. As a painting technique, the term refers to the very thick and textured application of paint on the canvas itself. With this technique, the paint is applied so thickly that when it dries it appears to be three dimensional. Susan uses the consistency of the oils to carve and stack the colors bringing the paintings to life.
Susan Bryan Studios
Palette knives have been used in impasto painting since the 1800’s. Impasto is an Italian word meaning “dough’ or “mixture’. As a painting technique, the term refers to the very thick and textured application of paint on the canvas itself. With this technique, the paint is applied so thickly that when it dries it appears to be three dimensional. Susan uses the consistency of the oils to carve and stack the colors bringing the paintings to life.
Gallery
Please contact artist directly for custom pieces and commissions. 406-670-9163
About the Artist
Susan Bryan, a distinguished palette-knife artist from Billings, Montana, has dedicated the past 13 years to honing her craft. Her artistic journey is profoundly connected to her heritage; her late father was a landscape oil painter, and the scents of linseed oil and paint evoke cherished childhood memories. In tribute to him, Susan continues to use the tools from his wooden art box, including the very palette knives he once wielded. “I am using the same palette knives my dad used. That in itself inspires me,” she shares. Initially experimenting with various brushes and tools, Susan soon discovered her passion for palette knives. She revels in their ability to create intricate effects by stacking and carving oil paint with their edges, bringing her works to life through rich layers of color and texture. Her subject matter ranges from evocative landscapes to striking portraits, and she is currently immersed in her “Big Sky” series, which explores the dynamic beauty of thick impasto skies.
“I believe fine art should be the focus of a room, not an accessory,” says Bryan. “Whether it is bold in color or soft and reflective, it should be a conversation waiting to happen. If the color draws you in, and the texture makes you want to touch, I have accomplished what I have set out to do as an artist.”
Susan Bryan’s artwork has been showcased in galleries nationwide, and she also enjoys sharing her passion by teaching art classes. Her commitment to both her craft and her students reflects her belief in the transformative power of art. Through her vibrant palette knife techniques, she invites viewers to experience the beauty and depth of her artistic vision.